Cinema

7 Days in Havana The movie 7 Days in Havana is a snapshot of the Cuban capital signed by seven world-class directors.

  • 7 Days in Havana - English Trailer
  • DISCUSSION WITH BENICIO DEL TORO
  • DISCUSSION WITH LAURENT CANTET
  • DISCUSSION WITH EMIR KUSTURICA
  • 7 Days in Havana - English Trailer
0:00 / 0:00

Playlist

La rumba no se aprende a tocar en 7 dias
Descemer Bueno & Xavi Turull
30
A ella le duele
Kelvis Ochoa
30
El Yuma
Kelvis Ochoa & Descemer
30
Echale salsita de Machin
Antonio Machin
30
Corazon
Descemer & Kelvis Ochoa
30
Razones de sobra
Alexander Abreu
30
Ay amor 2
Melvis Santa
30
Ay amor 3
Melvis Santa
30
No me dejes
Melvis Santa
30
Dile a tu Mama
Vatos locos
30
7 Dias
Descemer & Kelvis Ochoa
31

The film

Resulting from the collaboration between Havana Club International and independent producers Full House and Morena Films, the movie 7 Days in Havana is a snapshot of the Cuban capital signed by seven world-class directors: Benicio del Toro, Pablo Trapero, Elia Suleiman, Julio Médem, Gaspar Noé, Juan Carlos Tabío, and Laurent Cantet. The feature-length motion picture is divided into seven chapters, each corresponding to a filmmaker's vision of a day in Havana.

On Monday, Benicio del Toro— whose special relationship with the Island dates back to his award-winning interpretation of Ernesto "Che" Guevara in Steven Soderbergh's 2008 filmic account of the Cuban revolution— makes his debut as a director with "El Yuma". This chapter features Josh Hutcherson in the role of an American tourist who embarks in an atypical tour of Havana alongside his taxi driver, who just happens to hold an engineering degree.

Pablo Trapero, one of Argentina's best-known contemporary directors (El bonaerense, Familia rodante, Leonera, Carancho…), delivers Tuesday's "Jam Session", the very musical story of yet another duo made up of a foreigner and a peculiar Cuban taxi driver— a trumpet player this time around. For his cast, Pablo Trapero brought together the legendary Emir Kusturica and one of Cuba's finest musicians, Alexander Abreu.

With "La tentación de Cecilia", Spanish filmmaker Julio Médem (Los amantes del círculo polar, Lucía y el sexo) tackles the predicament faced by many young Cubans: stay in the island and brave adverse material conditions or pursue a career abroad. In this segment, we meet Cecilia (Melvis Santa), an aspiring singer torn between the opportunities for international success offered by a seductive Spanish agent (Daniel Brühl) and her love for her Cuban boyfriend.

The pace slows down on Thursday, when we follow a puzzled Palestinian visitor (Elia Suleiman) around the city while he waits to be received by a Cuban government official. Like Suleiman's other films (Divine Intervention, The Time that Remains…), "Diary of a Beginner" plays on subtleties and humor to bring out the contradictions of modern-day Cuba.

"Ritual"—Friday's segment—, is Gaspar Noé's (Enter the Void) aesthetic exploration of the more obscure and superstitious side of Havana. It all begins with a sweltering reggaeton underground party and the pounding persists until the very end.

Juan Carlos Tabío— the director behind Cuban comedy classics like Strawberry and Chocolate, Guantanamera, ¡Plaff!, and Lista de espera— makes a comeback with his bittersweet interpretation of a Saturday in Havana. Featuring an all-star Cuban cast that includes Mirta Ibarra and Jorge Perugorría, Tabío's "Dulce amargo" entertainingly portrays the difficulties of daily life in Cuba as a psychologist struggling to make ends meet tries to juggle her formal and unofficial jobs: making appearances on a television talk show and baking cakes for private celebrations.

The week ends with Laurent Cantet's uplifting short, "La Fuente", in which the French filmmaker—winner of the Palme d'Or for his 2008 film The Class— highlights the sense of community that prevails in Cuba. In this final segment, a group of neighbors go out of their way to build an altar for another tenant who swears that the Virgin Mary spoke to her in a dream.

The film's screenplays were coordinated by novelist, journalist and scriptwriter Leonardo Padura— praised both in Cuba and abroad for his detective novels—and his wife, Lucía López Coll. Two other big names of the Havana arts scene, Kelvis Ochoa and Descemer Bueno, were in charge of the film's original soundtrack.

The 2012 edition of the Cannes Film Festival included 7 Days in Havana in the official selection for the "Un certain regard" (`A particular outlook') category, which recognizes particularly original and refreshing works.

Visit the official '7 Days in Havana' website

The Soundtrack

The film 7 Days in Havana is the work of seven directors, each presenting their vision of a day — or, as is more often the case, a night in the life of Cuba's capital. As you might expect, music plays a big part in the film. You might even say music plays the best part in the film.

One of the best musical moments in 7 Days happens in the "Jam Session" segment directed by Pablo Trapero. Playing, with no apparent exaggeration, a shambling version of himself, Emir Kusturica drunkenly and annoyingly implores his driver, played by Alexander Abreu, to take him somewhere interesting. The pair ends up at adescarga — an after-hours jam session — somewhere in the city. Then, when Abreu pulls out his trumpet, the movie pulls you into the frame and you're right there in Havana with him. He plays a tune listed on the soundtrack as "Razones de sobra." When he gets to his solo, you understand why Alexander Abreu is recognised as the finest trumpet player in Cuba and quite probably the finest anywhere.

The 7 Days soundtrack was a Cuban-Spanish effort. That is, most of the songs are credited either to Xavi Turull, who is Spanish, or to Kelvis Ochoa and Descemer Bueno, who are both Cuban.

Turull is a producer and percussionist known for his work with Ojos de Brujo, a popular flamenco hip hop (his own description) band from Barcelona.

Kelvis Ochoa is Cuba's most famous red-headed trovador. Watch 7 Days closely and you'll catch a glimpse of him singing in a bar in "El Yuma", the film's first sequence. The song he sings, the plaintive "A ella le duele", serves as a recurring and powerful theme throughout 7 Days. But Kelvis Ochoa singing in a half-empty bar? In Havana? Hard to imagine, but then again, this is fiction.

As anyone in Havana can tell you, Kelvis Ochoa was one of the original members of Habana Abierta, a collective of Cuban musicians who became wildly popular when they toured Spain in the late 1990s. When Kelvis made his triumphant return to Havana, his first solo album,Kelvis (2001), was produced by Descemer Bueno. The two of them worked together on the soundtrack for the movie Havana Blues(2006) and put out an album together in 2009 (Amor y música).

Descemer Bueno is probably most widely known outside Cuba for producing Euphoria by Enrique Iglesias, an album that won seven Latin Grammy awards in 2011 alone. Within Cuba, Descemer belongs to the new generation of composers who tend to get lumped into the "fusion" category. They're an eclectic bunch known for mixing traditional Cuban styles (son, boleros, Afro-Cuban jazz…) with virtually everything else (hip hop, reggae, rock…). Just about the only thing not on their playlist is reggaetón, the inescapably popular dance music blaring out of taxis and around nightclubs from San Juan to Mexicali.

It would be hard to go a full seven days in Havana without hearing any reggaetón (or Cubatón, as the local variant is sometimes called), so, appropriately, the 7 Days soundtrack gives us a taste of reggaetón, during the steamy dance sequence filmed by Gaspar Noé for his "Ritual" segment. Despite the implausibility of the scene – Cuban school kids wearing their uniforms and carrying book bags, writhing on a dance floor when they should be studying – the pumping beat of "Dile a tu mamá" from Vatos Locos somehow makes it believable.

The 7 Days soundtrack steps back in time with two tracks credited to Ignacio Jacinto Villa, more popularly known as Bola de Nieve, Cuba's flamboyant 1930s crooner. "¡Ay, amor!" and "No dejes que te olvide" receive new arrangements from Kelvis Ochoa and Descemer Bueno, and they're sung by Melvis Santa Estévez, who also stars in the film's "Tentación de Cecilia" segment.

If you're someone who has never spent a week in Havana, the first cut on the 7 Days soundtrack is likely to put you in the mood to go there – but it may also put you off the idea of practising your salsa moves on a Cuban dance floor. Built on a complex timba rhythm, the song is called La rumba no se aprende a tocar en 7 días, and you can consider that fair warning. It takes a lot more than seven days to master the rumba.

BUY AT BUYTHESOUNDTRACK.COM

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
Iframe